Thanks to HarimaKenji for kicking my ass into doing another one of these. It's still not perfect, but I think this is about as good as it'll get, so check it out!
Songs played:
Yuko Nakazawa - Tokyo Bijin
Behemoth - Slaves Shall Serve
Aucifer - Datenshi BLUE
Yuko Nakazawa - Momen no Handkerchief
Download it here (39:52, 54.7MB)
)Today is July 4th, America's Independence Day. I have put together a collection of Americana/Roots music as theme. Some artists are not strictly in this genre, and to group them together might be unfair, so I suggest if you like what you read and hear, find out more about them on their respective websites.
Of course, when you think of "America", the one name that really comes to mind is Bruce Springsteen. Since 1973, "The Boss" have been representing the everyman with his American heartland rock music. He's probably best known for his album (and song), "Born in the U.S.A." at the height of his popularity in 1984.
The album tied for "Most Top 10 Songs from One Album" award, alongside Michael Jackson's Thriller and Janet Jackson's Rhythm Nation 1814, with - count 'em - seven songs: "Dancing in the Dark" , "Cover Me" , "Born in the U.S.A." , "I'm on Fire" , "Glory Days", "I'm Goin' Down" and "My Hometown".
With an amazing string of hit songs, it's actually not surprising that find out that Springsteen's albums consistantly hit #1 on the Billboard charts, with eight #1 albums: The River (1980), Born in the U.S.A. (1984), Live/1975-85 (1986), Tunnel of Love (1987), Greatest Hits (1995), The Rising (2002), Devils & Dust (2005), and Magic (2007). With the exception of Jay-Z, all of the chart-toppers are no longer around (The Beatles, Elvis, and The Rolling Stones), so this is a pretty amazing feat for an all-American New Jersey boy.
By the way, I have never seen Springsteen live, but from watching SNL and reading about it, I get the impression that The Boss and the E Street Band plays an amazing, live show, full of blood, sweat, and tear.
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CORY CHISEL
thewanderingsons.com ♥ myspace.com
The EP I have here is called Cabin Ghosts, and it's listed simply as "Cory Chisel", but I believe the full, and correct, name should be listed as "Cory Chisel & The Wandering Sons". There is also no cover art with the EP, so please note that the art that I used to represent them here is not the final CD cover. I tried looking up when the CD will be release, but I couldn't find any details of the details. I am assuming it will be release sometime in 2008 and/or only sold on tour. Listening to the EP, it sounds to me to be very Springsteenesque, especially when Chisel sings out, "The thunder roll, its angry heart, across my shoulders in the dark, maybe I'm losing ground" on "See It My Way". I am also guessing that the EP was recorded live as there's clapping from the audience inbetween the songs, but on some songs, the audio sounds too perfect (you can clearly hear everything, from backup singers to the quiet acoustic guitar). The song I was asked to use is "Home In The Woods", which I can understand as its lyrics and theme is about wanting to escape from the city and live in an isolated cabin in the woods - perfect for an EP called Cabin Ghosts. They are currently on tour with Joshua James. See tour information below.
Jul 16 - The Intersection - Grand Rapids, Michigan
July 17 - Club Cafe - Pittsburgh, Pennsylvania July 18 - Radio Radio - Indianapolis, Indiana July 19 - Beat Kitchen - Chicago, Illinois July 20 - The Ark - Ann Arbor, Michigan July 22 - Shank Hal - Milwaukee, Wisconsin July 23 - Varsity Theater - Minneapolis, Minnesota July 24 - Waiting Room - Omaha, Nebraska July 25 - The Record Bar - Kansas City, Missouri July 30 - Toad Tavern - Denver, Colorado July 31 - Belly Up - Aspen, Colorado Aug 1 - Club Sound - Salt Lake City, Utah Aug 3 - The Triple Door - Seattle, Washington Aug 4 - Doug Fir Lounge - Portland, Oregon Aug 5 - Boardwalk - Orangevale, California Aug 6 - Hotel Utah Saloon - San Francisco, California Aug 8 - Casbah - San Diego, California Aug 9 - Hotel Cafe - Los Angeles, California Aug 10 - Rhythm Room - Phoenix, Arizona Aug 15 - Lawrence Memorial Chape - Appleton, Wisconsin Sep 13 - Red Rocks Amphitheater - Morrison, Colorado Nov 26 - New American Theater - Rockford, Illinois
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SAMMY WALKER
ramseurrecords.net ♥ myspace.com Sammy Walker is a folk/country singer/songwriter from Georgia (but I think currently in North Carolina?), was briefly popular from 1975 to 1977, with two of the albums on major label, Warner Brothers. It would seem he went into early retirement until 1994 with Old Time Southern Dream. Now, after 14 years since that release, he is back now with Misfit Scarecrow to be released on July 22nd on Ramseur Records. Walker has a very distinctive, southern, and clear, but aging, voice. Some of the melodies and lyrics really made me think of Bob Dylan. Since I don't have Walker's earlier works, I can only imagine what his earlier works might sound just like early Dylan. Walker's songs all tells little timeless stories, all told through the eyes of the protagonist. Sometime that person might be a corpse ("Will You Miss Me When I'm Gone") or a scarecrow ("Misfit Scarecrow") or a farmer ("Proud and Poor"), but they all tell epic tales. I really enjoyed "Another Sad Song About You", a song about running into someone from the past. It goes into great detail describing someone leaning on a lamp post: "a blue scarf around your neck, and a silver charm across your heart". Despite a timeless feel to the song, I did enjoy the modern references, in such lines like: "I heard about your brother, when the Twin Towers came crashing down." The country/blues song, "Someday I'm Gonna Rock and Roll", ends the album with a humourous tone. I get the impression that the song is really about Walker, himself. He must get a lot of people telling him he should do rock and roll, but he scoffs at it.
In case you were wondering why that line is so funny, it's because Rodgers is often considered as the father of country music. |
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FISKUM
fiskum.com ♥ myspace.com
Fiskum is actually from Minneapolis, and his album, Darkness/Fire/Dancing was released late last year. The first time I heard "Tom Waits' Bar And Grill", I thought of Harry Chapin's "Taxi", especially when he sings "and she says 'hi, how'd you been? I saw your call, I stopped on in'". With the title, you can tell that he is giving a little nod to Tom Waits, and, like Waits, paints a story about a chance encounter with an old close friend at a bar & grill. I later read Fiskum got the idea for the song from a short conversation with someone trying to "explain to his new girlfriend why he was seen hanging with his old flame." He wrote notes for each of his song on his music page, and this is for "Tom Waits' Bar & Grill":
There is a
surprise at the end of the album, it's another version of "Winter
Moon". The song looks like a live recording, and it's sung entirely in
Welsh by an uncredited woman. You can find Darkness/Fire/Dancing at your usual location on Amazon and iTunes. |
JOSEPH ARTHUR
josepharthur.com ♥ myspace.com
Peter Gabriel saw something in Joseph Arthur, because he signed Arthur on his record label, Real World. Although he's no longer on Real World, he's releasing a ton of material on his own record label, Lonely Astronaught. Already this year alone these are the EPs that's already released: Could We Survive (Mar 2008), Crazy Rain (Apr 2008), Vagabond Skies (Jun 2008), and Foreign Girls (July 2008). At the rate he's going, he'll probably have three or four EPs released before his album, Temporary People comes out September 16th, 2008. I actually have only two of the EPs, Could We Survive, which seems to have a (anti?) war theme, and his latest, Vagabond Skies. There's something perfectly folk and pop on the lead song, "Slow Me Down", that you should check out. As you can hear on that song, it's not completely traditional folk. Such beat/loop machine can be found in the background of "Pretty Good Company" and "Second Sight". It's also nice to hear Joan Wasser (violins) doing some backup vocals on some songs, I hope she participate more in the upcoming album. I like what he's doing, bundling his limited art prints if you buy two EPs ($20). This is good for hardcore fans to collect his art, while at the same time give the second EP as a gift of music to their friends and family. |
PS, this article took very long to write. There may be a part two later tonight.
Links:
www.weheartmusic.com
Hey, how are all of you doing? How's everyones summer holidays going, assuming you are on one?
Mine's going nicely. Days pass by without me doing anything at all. It's awesome. Last weekend was the Tuska festival though, and what a fucking great festival it was. Three days of non-stop drinking, awesome bands and great atmosphere. Well worth the price of admission. I gotta tell you man, it's pretty rewarding to be a metal fan as compared to a j-pop fan at least if you live in Europe. Way more satisfying, and easier to see your favorite bands live. I literally had to travel only like 20 to 25 minutes each day to see bands such as Behemoth, Nile, Amon Amarth, Slayer or Morbid Angel... crazy stuff. Behemoth was the best band for me. I've gotten used to seeing all my favorite bands live already so it's usually no big deal, but this time I just couldn't help getting chills in my back when I saw those guys get on stage in their crazy armors, black metal make-up and all, kicking into their first song (which I recall being Slaves Shall Serve), with Nergal later in the set of course doing one of his trademark antics on stage:
Ahh, good times, good times. So, anyway, all these fun acts of blasphemy aside...
June turned out to be a pretty damn lazy month for me after all, as far as blogging goes. Dammit. Two posts a month is ridiculous, even for me. I really am an incompetent blogger! I'll try to get something more done this month, I promise.
Well, here's my answers here's my answers for Bikkuri Project's survey:
1. You have found a magical J-pop genie who will grant you one J-pop related wish (so no wishing for a million dollars or world peace or anything like that). It can be virtually anything as long as it’s directly related to J-pop, and don’t worry, because this is the nice sort of genie, not the kind who will try to find a loop-hole and screw up your wish. So, what do you wish for???
It'd be bitching to be Tsunku's right hand man. That'd include stuff like observing how he composes songs (maybe even sometimes getting the chance to compose with the guy!), naturally backstage access at H!P concerts... that kind of stuff. So basically I wouldn't do anything of importance at all, I'd just be in the way. But still, it's ok, it's the magical J-pop genie!
2. Is there any J-pop artist or group who seriously pisses you off? If yes, who, and why?
None that I can think of right now. There are numerous J-pop artists I dislike because of their music being downright bad, but I wouldn't go so far as saying they "piss me off".
3. Who do you think is the sexiest japanese singer out there?
I guess I'd have to say Miki-sama!
4. How about the cutest?
Hmmm. This was surprisingly hard. I guess Airi Suzuki.
5. Best personality?
I have to say Miki Fujimoto again. Reason being that I find her personality quite similar to mine in many ways (well, at least the personality she portrays as an idol). You know, the bitchyness and the whole "fuck you" kind of aura she gives off. That kinda stuff. I feel that can't be too far from how she really is. I hope so anyways. I think it's very refreshing compared to the usual cutesy and genki image.
Second place definitely goes to Risa Niigaki though. She's great. You gotta love her attitude towards fans. I think she truly appreciates the fans unlike some of the girls... (*cough*Rika(*cough*whore*cough*)*cough*)
6. If given the opportunity, would you rather date person 3, person 4, or person 5?
Miki, without a shadow of a doubt.
7. You work for a Japanese music magazine, and you have the opportunity to interview your favorite artist or group. What are a couple of the questions you want to ask them?
Man, too hard. You know what would be pretty funny to ask them though? Play them something like Burzum's self-titled album (ie. what some might call 'true Norwegian black metal') and film their reactions to it and do interviews afterwards on what they thought of it. It'd make for a fun DVD release, I assure you.
8. What’s the best (J-pop) song to listen to when you are really sad?
With the aim of getting uplifted from the sadness? This is much too hard of a question, since to me J-pop in general is all about the happy songs and, uh, good vibrations. Well, most things H!P at least. But okay, here's a good one: Ikimono Gakari's Uruwashiki Hito.
9. When you’re really happy?
Again, this is much too hard for the same reason. Early Morning Musume stuff would be good for this though. Ai no Tane, Morning Coffee, Manatsu no Kousen... stuff like that.
10. Do you often sing along to your favorite songs?
Sure.
11. How about dance?
Never.
12. Artistic integrity question!! If someone offerrered to pay you for blogging, but they were allowed to censor some of your opinions or veto some of your blogging ideas, would you do it?
Hmmm. That'd really depend on how much money I would be getting from the deal. As much as I'd love to say I wouldn't do it... if I was getting enough money so that I could actually make a living off it, I have to say I'd do it.
ink & watercolour, 8x10 inches (SOLD)
It's finally out!! I'm so happy. Released on this is Suzuki Ami's 29th single, her 14th on Avex and her second produced by that awesome dude from capsule. Then again I only like his Suzuki Ami productions, as well as perfume's secret secret. Otherwise both meg and perfume are rubbish. Suzuki Ami though really suits the genre- and she can actually sing. And she looks really hot on the single covers, somehow not sl^tty at all.
Tracklisting:
1: ONE
2: A token of love
3: ONE (instrumental)
4: A token of love (FM88 mix)
ONE kicks off with the distorted vocal part before coming in with the electronic instrumentation. Ami's voice is distorted, especially on the longer notes, but it don't sound bad. The song builds up the very catchy chorus. Again her voice is distorted but it works really well in the context of the song. For sure it meets the specification of "upbeat" and "sparkly". It's an amazing song, comparable to the awesome FREE FREE. It's got great electronic instrumentation, effects and variation. I love Suzuki Ami's voice, emotionless or distorted or just as she is. I love the repetetion of "number one" and also the meaning of the song, which is I think about "the one" and "only one in this world". It's cute. But it's also quite sexy, especially with the whispering voices and stuff.
The PV for ONE is also very sexy, with bad dance moves but cute outfits and pretty face makeup. Suzuki ami looks great and though the lights are blinding, it fits the song well.
ONE is cute and sparkly with a sexy edge. It is AWESOME.
The single takes a slight downfall with A token of love as the B-side. It's still great, but it's very very long. Like ONE it's all very electronic, and it's great with lots of varioations and effects. This one has a much more spacey feel though. Suzuki ami comes in with her "oh" and she sounds really good. It's all very techy and quite nice. She sounds a bit robotic in the verse though- like she's trying to be cute but the distortion means she sounds like some sort of alien. The pre chorus continues to be irritatiing, before the plain and dragged out chorus. The you and me is like some creepy alien coming after a human... "hehehe. You and me~~~~~"
Can you imagine that? XD sorry... bad joke...
There are good parts of the song, and they are very good, sprinkled with some bad parts of the song, and they are pretty irritating. It's all very cutesy (more creepy) and techy. Not bad but it may have to grow on me.
Overall? ONE is so awesome, and A token of love despite my taking the mick out of it is also quite good. I do think that Yasutaka brings out the best in Suzuki Ami, and I'm glad that there's also gonna be a full album of this standard. It's not a bad single, on the contrary it's pretty damn good. ONE is up there with my favourite electronic songs. A token of love will continue to make me giggle, but will probably still linger on my playlist.
I remembered to check when Misono's new album is coming up, having liked her rock project. turns out it's another great release on my birthday! (Tohoshinki's new single out on my b-day as is Versailles album! :P)
I thought that perhaps I should have pre-ordered it...
then I saw the cover.
o_o
It's definitly gonna be alteast ok msuic wide, naturally I'm hoping it's gonna be good or amazing. The cover though... very risky. Not something I could allow my parents to see...thus I probably won't be buying it.
Ahh... but Tohoshinki's new single soon! I should be getting the photobooklet!! And the B-side is called box in a ship! LOL
/
Nothing's quite as good as a solid, soulful R&B record to chill you down or warm you up, depending on your mood or...ahem, your company. But real R&B has been hard to come by lately. Sure, artists like Rihanna are often identified as R&B, but that kind of hip-hop-influenced R&B is but a pale shade of the real thing that crooners such as Luther Vandross, Aretha Franklin, Barry White, Grover Washington Junior, and Deniece Williams have put out. Fortunately, thanks to the good folks at Little Dizzy Records, a Sherman Oaks, CA-based independent urban digital record label, aficionados of real R&B--the smooth and soulful kind--will find their palates sensuously courted by newcomer Angie Whitney, whose first solo album, That's What Love Is All About, is out now.
Angie Whitney's been singing since the age of four. A native Californian, as a child she began singing duets with her twin sister Rachel, and soon became members of their father's church choir in Vallejo, California. The twins were soon in demand by many local groups and organizations, but Angie's career as a professional singer really gained credibility and notice when she and her sister and cousin formed their own group, The New Horizon, and were also selected as background singers for one of my alltime favorite soul groups, the legendary Spinners. Whitney now performs with the Angie Whitney Jazz & Blues Clique and Easy Street Big Band Orchestra, but her debut solo album is all her--and she's all you really need.
Despite its almost clichéd title, That's What Love Is All About is a lovely collection of soulful tunes that will heat up dancefloors and bedrooms. The lead track, "Don't Tease Me Now," is an upbeat, funky, almost disco-like dance track propelled by Whitney's smooth, silky voice and a sultry sax accompaniment. The song has a distinctly '80s kind of sound and calls to mind Sade, which is a very good thing--but Angie Whitney has a vocal identity all her own. The music, composed of soul staples bass, piano, and strings, is accented uniquely with smoky saxophone accents that play off of Ms. Whitney's voice as if she's actually singing a duet with the instrument in the intro to "Now Baby or Never," a finger-snappin' little number with a jazzy, 1920s Cotton Club sound. The title track, "That's What Love is All About" is a lovely romantic ballad, but is somewhat overshadowed by the minimalistic beauty of the eminently-soulful "Love Me By Name," which is smooth as eighty-year-old scotch and just as heart-warming. And definitely check out the straight-up elegant funk of "Excuse Me (I've Got A Life To Catch)" which features the slickest interplay between synths and sax that I think I've ever heard.
All in all, Angie Whitney's first solo effort is a sexy, sophisticated, accomplished album that gives its listeners a true, unadulterated soul/R&B experience. Her voice is not as powerful as Aretha Franklin's, but is much more energetic than Sade's, so I would say she covers a middle-ground between each...a territory little explored by soul singers these days, who all aspire for Aretha's mighty pipes or Sade's slinky purr. So put this album on the next time you come home from a long day at work. Mix up a martini, relax with yourself and a significant other, and let the music give you a nice mental massage that might...well, who knows what it might lead to, if you get my drift. ;)
Links:
angiewhitney.com
myspace.com/angielwhitney
www.littledizzyrecords.com
Labrador Records (labrador.se) once again turned to Pirate Bay to help distribute their Labrador Summer Sampler 2008. If you remember, they did the same thing last year after their servers crashed due to a high volume of demand.
If you already use BitTorrent, then downloading it from Pirate Bay is easy enough, but unlike most people, I don't use the torrents. Instead, I had to get the files from a friend. If you're in the same boat, regarding not using bittorrent, I have made the free sampler available for download: sendspace.com/file/2yaj76 (154 mb).
Please note: I am acting under the assumption that Labrador wants as many people to download their sampler as possible. So please share this with your friends.
Although compared to last year's massive 68-track-sampler, this year's new 30 tracks is smaller... but it is still a lot of music to listen to. Since we've covered many of these bands (see corresponding links to previous W♥M articles), I was more interested in the bands I hadn't heard of: Leslies, Caroline Soul, and Johan Hedberg. Although Leslies previously appeared on their 2007 Sampler ("Dear Friend"), this is the first time I paid attention to them due to their poppy "Take a Look" song.
01 [Ingenting] - Här Kommer Solen |
11 Chasing Dorotea - Dark Angel |
21 The Radio Dept. - Pet Grief |
In other news for this past week, we find Devo asking "Are We Not Toys?" after suing McDonald's for using their likeness in one of their McToys. CNN reports that "Kid Rock Was Only Kidding" when he told people to "steal everything". This tells me a lot about Kid Rock fans if he had to EXPLAIN that it was only a joke. Duh?
DMX is arrested (again), "Fly - The Musical", Adele won some awards and people seem to be happy she doesn't want to kill herself like Amy Winehouse, and you also found out that Kanye West LIKES TO TYPE IN ALL CAPS, DUDE! His defense blog on the whole Bonnaroo fiasco comes down to the venue's ability to setup the stage and that Pearl Jam was an hour late. That's right, Vedder is a slowpoke.
See links below for news source:
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Coco B's originates out of California, which is very evident in their music. Many similarities could be made to Californian grunge and alternative rockers. Coco B's has captured the alternative rock sound perfectly. Though at first their music may sound very generic, they could be easily described as the very definition of alternative rock. The vocals borderline the emo sound, but those who can't stomach emo rock will likely still be able to appreciate Coco B's for its alternative side. Their general composition is held together by strong baselines and hypnotizing choruses.
On their 2007 album, songs like "Hot Pantz" and "Sunset City of Dub" demonstrate Coco B's relaxing side, which is very earnest yet relaxing. Tracks like "I Live In L.A." and "Access To No.'s" are good examples of their more upbeat songs, which usually have much stronger and rhythmic drum patterns.
In general Coco B's doesn't execute much variety, but they've definitely captured a noteworthy sound. Coco B's debut album (Fast Trak Holy Nova Symphony) was released under the label Grand Theft Autumn, since then they've released two EPs and their 2007 self-titled album under the K-Double Recording Co. label. Their "Basement Songs: Firehawks and Dirtybirds EP1" was also released cooperatively through RCRD LBL. Coco B's is definitely a band to be checked out by any fan of the alternative genre.
Links:
www.cocobs.com
myspace.com/cocobs
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