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        <title>Rockerica</title>
        <link>http://rockerica.vox.com/library/posts/tags/merry/page/1/</link>
        <description>☆ヴィジュアル系ブログ★ I take music seriously. </description>
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        <lastBuildDate>Sun, 14 Sep 2008 17:52:29 +0200</lastBuildDate>
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        <category domain="http://rockerica.vox.com/tags/">merry</category>  
 
        <item>
            <title>暴~Baku~ - 08/2008</title>
            <link>http://rockerica.vox.com/library/post/%E6%9A%B4baku---072008-1.html?_c=feed-rss-full</link>   
            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Sun, 14 Sep 2008 17:52:29 +0200</pubDate>         
            
            <description>    &lt;p&gt;I hope you can forgive me the big delay of August&amp;#39;s issue. My computer had technical problems so I was way unable to release Baku at time. I hope you don&amp;#39;t mind it too much.&lt;br /&gt;Since I&amp;#39;m currently pretty busy I&amp;#39;ll just post the pages so you can download.&lt;br /&gt;I&amp;#39;ll edit this post once I find time.&lt;br /&gt;Please participate in VOX populi.&lt;br /&gt;&lt;div at:enclosure=&quot;asset&quot; at:xid=&quot;6a00d41432f284685e0100a7faf213000e 6a00d41432f284685e00fae8de8503000b 6a00d41432f284685e00fae8de8513000b 6a00d41432f284685e00fa9699eee30002&quot; at:format=&quot;strip-horizontal&quot; at:align=&quot;center&quot; class=&quot;enclosure enclosure-center enclosure-strip enclosure-strip-horizontal&quot;  style=&quot;text-align: center;&quot;&gt;
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&lt;br /&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
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            <category domain="http://rockerica.vox.com/tags/">d&#39;espairsray</category> 
            <category domain="http://rockerica.vox.com/tags/">12012</category> 
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            <category domain="http://rockerica.vox.com/tags/">ムック</category> 
            <category domain="http://rockerica.vox.com/tags/">alice nine</category> 
            <category domain="http://rockerica.vox.com/tags/">アリス九號.</category> 
            <category domain="http://rockerica.vox.com/tags/">アリス九號</category> 
            <category domain="http://rockerica.vox.com/tags/">メリー</category> 
            <category domain="http://rockerica.vox.com/tags/">ヴィジュアル系</category> 
            <category domain="http://rockerica.vox.com/tags/">distraught overlord</category>    
        </item> 
 
        <item>
            <title>Single: メリー - 激声</title>
            <link>http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---%E6%BF%80%E5%A3%B0.html?_c=feed-rss-full</link>   
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            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Fri, 22 Aug 2008 10:48:01 +0200</pubDate>         
            
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&lt;div at:enclosure=&quot;asset&quot; at:xid=&quot;6a00d41432f284685e00fae8d7db0d000b&quot; at:format=&quot;medium&quot; at:align=&quot;left&quot;
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                &lt;a href=&quot;http://rockerica.vox.com/library/audio/6a00d41432f284685e00fae8d7db0d000b.html&quot;&gt;&lt;img src=&quot;http://a5.vox.com/6a00d41432f284685e00fae8d7db0d000b-200pi&quot; alt=&quot;激声&quot; title=&quot;激声&quot; /&gt;&lt;/a&gt;
        
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                &lt;div class=&quot;enclosure-asset-subtitle overflow-hidden&quot;&gt;メリー&lt;/div&gt;
            
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 &lt;div&gt;&lt;strong&gt;Date released: &lt;/strong&gt;20.8.2008.&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;Track list&lt;br /&gt;&lt;/strong&gt;1. 激声 (Gekisei)&lt;br /&gt;2. 伊勢佐木町ブルース(Isezaki machi blues) [A Version]&lt;br /&gt;2. 学生街の喫茶店 (Gakuseigai no kissaten)&amp;#160; [B Version]&lt;br /&gt;&lt;br /&gt;Okay I admit: the last band I&amp;#39;d thought to pull off a 15 minute epicness were the chaos jazz-punk-rockers from&lt;strong&gt; Merry.&lt;/strong&gt; I mean some of their song don&amp;#39;t even last 2 minutes and now suddenly this 15 minute piece of... errr.... &lt;em&gt;merryness!&lt;/em&gt; is simply something I&amp;#39;d never credit them for. But since this band is everything but sane, why am I surprised?&lt;br /&gt;&lt;br /&gt;So how DOES 15 minutes of&lt;strong&gt; Merry &lt;/strong&gt;sound like? Well the first (and last) minute-and-a-half you get just some dusty vinyl sound and a pretty interesting though over-theatrical acoustic guitar part before bashing with the screech-grind sounding guitars and typical ironic&lt;strong&gt; Merry&lt;/strong&gt; flair (kinda like at the intro of Calling). And then you realize you&amp;#39;ve barely reached 1/5 of the song when&lt;strong&gt; Gara &lt;/strong&gt;finally joins in with his moaning voice. Well anyway (to summarize) the songs moves from mid-tempo blues-like melancholics to hysteric punk-rock episodes and back, while you&amp;#39;d always be surprised by the lenght of the song and how much it&amp;#39;s left for the song to end. This is &lt;strong&gt;Merry &lt;/strong&gt;making an ode to themselves, a so called&lt;strong&gt; Merry &lt;/strong&gt;hymn putting ingredients from all of them songs into a monster of 15 minutes. But seriously 15 minutes! They could have easily cut this song into 5 different and sell them out in 15 different version singles and earn more money, sparing us from the reviewers-nightmare (but instead they are &lt;em&gt;good&lt;/em&gt; and spared our moneycases (not nerves) by putting them all in one medely-like song)&lt;br /&gt;&lt;br /&gt;Oh at least the B-sides are less of a reviewing-torture (and listening also). And an interesting thing is that both songs are covers of older folk/enka songs. If you remember they already covered&lt;strong&gt; PRECIOUS...&lt;/strong&gt; by &lt;strong&gt;LUNA SEA (&lt;/strong&gt;which was in a masohystical way &lt;em&gt;cool)&lt;/em&gt;.&lt;strong&gt; Isezaki machi blues&lt;/strong&gt; is a &lt;strong&gt;Enka&lt;/strong&gt; song by &lt;strong&gt;Aoe Mina&lt;/strong&gt; (thank you Peach magazine for the info) and &lt;strong&gt;Merry&amp;#39;s&lt;/strong&gt; version begins with this very&lt;em&gt; horny&lt;/em&gt; moaning by&lt;strong&gt; Gara&lt;/strong&gt; on the begining and slowly streches into this blues-like mid-tempo song you&amp;#39;ll likely hear on a middleage japanese karaoke party. But the good thing is that the song is barely 3 minutes long :). &lt;br /&gt;The covering becomes even more interesting with the &lt;strong&gt;Gakuseigai no kissaten&lt;/strong&gt;, a song by a popular 70&amp;#39;s folkband &lt;strong&gt;Garo. &lt;/strong&gt;The song itself is pretty, well... interesting and add&lt;strong&gt; Gara&amp;#39;s&lt;/strong&gt; voice to a semi-melancholic, slow marching beat and the result is pretty interesting. In any way, if &lt;strong&gt;Gara &lt;/strong&gt;ever get&amp;#39;s fed up of &lt;strong&gt;Merry &lt;/strong&gt;he&amp;#39;ll have a carreer as an old enka/folk singer.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gekisei&lt;/strong&gt; isn&amp;#39;t a neccersarily bad single, the covers are decent and interesting (not something you hear every day) and the 15-minute title song is, for curiosity&amp;#39;s sake, an interesting listen but nothing beyond things they haven&amp;#39;t already done and not near some excellent songs they have such as &lt;strong&gt;Haraiso, Japanese Modernist, Atashi wa Suteneko&lt;/strong&gt; or maybe&lt;strong&gt; Koso ue buil no last dance,&lt;/strong&gt; great songs that get into the ear and by which you really don&amp;#39;t have any complaints at &lt;strong&gt;Merry.&lt;/strong&gt; Oh well.. they got their style, a pattern which they follow and enough part/fulltime fans to support them. Overall: interesting but tiring in a way.&lt;br /&gt;&lt;/div&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
    &lt;a href=&quot;http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---%E6%BF%80%E5%A3%B0.html?_c=feed-rss-full#comments&quot;&gt;Read and post comments&lt;/a&gt;   |   
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        <item>
            <title>Single: メリー - Midnight Shangri-la/空っぽな唄~final cut~</title>
            <link>http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---midnight-shangri-la%E7%A9%BA%E3%81%A3%E3%81%BD%E3%81%AA%E5%94%84final-cut.html?_c=feed-rss-full</link>   
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            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Fri, 09 May 2008 17:02:05 +0200</pubDate>         
            
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                &lt;a href=&quot;http://rockerica.vox.com/library/photo/6a00d41432f284685e00e398f7f3f80004.html&quot;&gt;&lt;img src=&quot;http://a0.vox.com/6a00d41432f284685e00e398f7f3f80004-200pi&quot; alt=&quot;Midnight Shangri-la/空っぽな唄~final cut~&quot; title=&quot;Midnight Shangri-la/空っぽな唄~final cut~&quot; /&gt;&lt;/a&gt;
        
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&lt;p&gt;&lt;strong&gt;Date released:&lt;/strong&gt; 3.5.2008.&lt;strong&gt;&lt;/p&gt;&lt;p&gt;Track list&lt;br /&gt;&lt;/strong&gt;1.	Midnight Shangrila  	&lt;br /&gt;2.	空っぽな唄~final  cut~ (Karappo na uta～final cut～)&lt;/p&gt;&lt;p&gt;I actually thought this was a regular single, but found out later it&amp;#39;s a single that was sold at &lt;strong&gt;Yokohama Bunka Taiikukan&lt;/strong&gt; live or something (though that won&amp;#39;t stop real &lt;strong&gt;Merry &lt;/strong&gt;fans on getting their hands on it). Still I&amp;#39;ll take the honor (or not) to review this &amp;quot;special&amp;quot; single.&lt;/p&gt;&lt;p&gt;Remember the &lt;strong&gt;Merry &lt;/strong&gt;cover of&lt;strong&gt; LUNA SEA&amp;#39;s&lt;/strong&gt; song &lt;strong&gt;PRECIOUS...&lt;/strong&gt; that was released on the &lt;strong&gt;LUNA SEA&lt;/strong&gt; tribute album. You know the song that was basically audioraping-turn-fun. &lt;strong&gt;Midnight Shangri-la&lt;/strong&gt; takes a floor up. &lt;strong&gt;Midnight Shangri-la&lt;/strong&gt; is the probably most hysterical song I&amp;#39;ve ever heard, turning into three and a half minutes of violent noise enough to damage your hearing. Hey, take all the screaming&lt;strong&gt; Kyo &lt;/strong&gt;from &lt;strong&gt;Dir en grey&lt;/strong&gt; has done in their songs and pack it into one song (on the screaming parts &lt;strong&gt;Gara &lt;/strong&gt;even beats&lt;strong&gt; Kyo &lt;/strong&gt;when it comes to sky high pitched screams) with a hint of paranoid hysteria and concentrated insanity and viola! You get a &amp;quot;song&amp;quot; (mildly speaking). In some strange and unusual way, I actually like&lt;strong&gt; Merry&lt;/strong&gt; when they are sounding like having a seizure. And the &lt;em&gt;yeah,yeah,yeah,yeeeaah,yeah!&lt;/em&gt; is quite catchy.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Karappo na uta&lt;/strong&gt; was the closing song on their album&lt;strong&gt; nu chemical rethoric &lt;/strong&gt;and the ~final cut~ version can be described as better. &lt;strong&gt;Gara&amp;#39;s &lt;/strong&gt;vocals sound very clear and expressing (though after &lt;strong&gt;Midnight Shangri-la&lt;/strong&gt; practically everything sounds good). The song has got a very clean, almost sterile production, twittering high-pitched riffs and a very good and sharp refrain that will make you sing a long (with a additional vocal provided probably by one of the guitarists whose name I don&amp;#39;t know nor care about). Average &lt;strong&gt;Merry &lt;/strong&gt;but decent.&lt;/p&gt;&lt;p&gt;So either if you love ear-violence or the original &lt;strong&gt;Karappo na uta&lt;/strong&gt; or both, give a shot at this single.&lt;strong&gt; Merry &lt;/strong&gt;again managed to deliver their highly recognizable yet slightly mediocre sound.&lt;br /&gt; &lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
    &lt;a href=&quot;http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---midnight-shangri-la%E7%A9%BA%E3%81%A3%E3%81%BD%E3%81%AA%E5%94%84final-cut.html?_c=feed-rss-full#comments&quot;&gt;Read and post comments&lt;/a&gt;   |   
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        <item>
            <title>Single: メリー - 閉ざされた楽園</title>
            <link>http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---%E9%96%89%E3%81%96%E3%81%95%E3%82%8C%E3%81%9F%E6%A5%BD%E5%9C%92.html?_c=feed-rss-full</link>   
            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Thu, 24 Apr 2008 15:47:34 +0200</pubDate>         
            
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                &lt;a href=&quot;http://rockerica.vox.com/library/photo/6a00d41432f284685e00e398f314d00004.html&quot;&gt;&lt;img src=&quot;http://a0.vox.com/6a00d41432f284685e00e398f314d00004-200pi&quot; alt=&quot;閉ざされた楽園&quot; title=&quot;閉ざされた楽園&quot; /&gt;&lt;/a&gt;
        
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&lt;p&gt;&lt;strong&gt;Date released:&lt;/strong&gt; 16.4.2008.&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Track list&lt;br /&gt;&lt;/strong&gt;
1. 閉ざされた楽園 (Tozasareta Rakuen) &lt;a href=&quot;http://rockerica.vox.com/library/video/6a00d41432f284685e00e398f317570004.html&quot;&gt;[PV]&lt;/a&gt; &lt;a href=&quot;http://rockerica.vox.com/library/audio/6a00d41432f284685e00f48d121b390001.html&quot;&gt;[Listen]&lt;/a&gt;&lt;br /&gt;
2. 喜劇のタブー (Kigeki no Taboo) &lt;a href=&quot;http://rockerica.vox.com/library/audio/6a00d41432f284685e00e398f4f4a30004.html&quot;&gt;[Listen]&lt;/a&gt;&lt;br /&gt;
3. ト・ロ・ケ・テ・ル (TOROKETERU) &lt;a href=&quot;http://rockerica.vox.com/library/audio/6a00d41432f284685e00e398f504b00005.html&quot;&gt;[Listen]&lt;/a&gt;&lt;/p&gt;&lt;p&gt;As stated on Visuanavi &lt;strong&gt;Tozasareta Rakuen &lt;/strong&gt;is &lt;strong&gt;Merry&amp;#39;s &lt;/strong&gt;sixth single up to date and their latest release after the last year&amp;#39;s album M.E.R.R.Y. &lt;/p&gt;&lt;p&gt;Overall this single has got a somewhat restrained, hesitated feel to it. It is loud, it has got &lt;strong&gt;Gara&amp;#39;s&lt;/strong&gt; moan/screams, it is vibrant etc... but well not as &lt;strong&gt;&lt;em&gt;Merry&lt;/em&gt;&lt;/strong&gt; as it could be. &lt;strong&gt;Tozasareta Rakuen&lt;/strong&gt; is another hasty &lt;strong&gt;Merry &lt;/strong&gt;song similar to &lt;strong&gt;sweet powder&lt;/strong&gt; with very interesting bridges but unfortunately a simple and annoying&lt;strong&gt; &lt;em&gt;Merry &lt;/em&gt;&lt;/strong&gt;chorus that mostly screws up&lt;em&gt; &lt;/em&gt;every potentially interesting song.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Kigeki no Taboo &lt;/strong&gt;is the best song on the single, with driving, rock&amp;#39;n&amp;#39;roll riffs that carry the mood and tension of the song and that are probably the best part of it. I ended up liking the song, even though I can&amp;#39;t really explain why, it&amp;#39;s not revolutionary, it&amp;#39;s not mindblowing, the chorus doesn&amp;#39;t fit it, but still I like it. Thanks to the guitar riffs.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;TOROKETERU&lt;/strong&gt; is a somewhat mixture of the mesmerizing orientalish riffs and aloof chanting from &lt;strong&gt;Seinen himitsu kurabu&lt;/strong&gt;, and the obscure moshing crazyness of &lt;strong&gt;Charlie&lt;/strong&gt;, being just as hysterical on the bridges as the both. The refrain sounds pretty solid, short, melodic, nice. But yet again brings nothing new, but makes good use of the known.&lt;/p&gt;&lt;p&gt;In a way I can say that this single is probably the best (read: Good enough to force me to review it unlike some of the former singles) I&amp;#39;ve heard and not as nearly as annoying as &lt;strong&gt;Komorei ga boku wo sagashiteru &lt;/strong&gt;or&lt;strong&gt; Blind Romance&lt;/strong&gt;, but still leaves out a faint and restrained feel making it not especially overwhelming also. But still worth a listen if you&amp;#39;re into &lt;strong&gt;Merry &lt;/strong&gt;and because of &lt;strong&gt;Kigeki no Taboo&lt;/strong&gt;.&lt;br /&gt; &lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
    &lt;a href=&quot;http://rockerica.vox.com/library/post/single-%E3%83%A1%E3%83%AA%E3%83%BC---%E9%96%89%E3%81%96%E3%81%95%E3%82%8C%E3%81%9F%E6%A5%BD%E5%9C%92.html?_c=feed-rss-full#comments&quot;&gt;Read and post comments&lt;/a&gt;   |   
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        <item>
            <title>Album: Various artists - LUNA SEA MEMORIAL COVER ALBUM-Re:birth-</title>
            <link>http://rockerica.vox.com/library/post/album-various-artists---luna-sea-memorial-cover-album-rebirth-.html?_c=feed-rss-full</link>   
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            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Tue, 25 Dec 2007 15:46:03 +0100</pubDate>         
            
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&lt;p&gt;&lt;strong&gt;Date released: &lt;/strong&gt;19.12.2007.&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Artist and track list&lt;br /&gt;&lt;/strong&gt;
1. ムック (MUCC) - Dejavu&lt;br /&gt;
2. abingdon boys school - Sweetest Coma Again&lt;br /&gt;
3. 玉置成実 (Tamaki Nami) - STORM&lt;br /&gt;
4. メリー (Merry) - PRECIOUS…&lt;br /&gt;
5. HIGH and MIGHTY COLOR - ROSIER&lt;br /&gt;
6. 森重樹一(ZIGGY) (Morishige Juichi) - I for You&lt;br /&gt;
7. LM.C - IN MY DREAM(WITH SHIVER)&lt;br /&gt;
8. YU-KI &amp;amp; DJ KOO from TRF - END OF SORROW&lt;br /&gt;
9. kannivalism - LOVE SONG&lt;br /&gt;
10. Marty Friedman VS LEGEND feat. SHINICHIRO SUZUKI - SHINE&lt;br /&gt;
11. シド (Sid) - WISH&lt;br /&gt;
12. 土屋昌巳 (Tsuchiya Masami) - MOON&lt;/p&gt;&lt;p&gt;The announced &lt;strong&gt;Luna Sea&lt;/strong&gt; tribute album did cause a bit of a hype. Initially it had a different track list and some different artists, so the different track list did came as a surprise.&lt;/p&gt;&lt;p&gt;To warn you at the very beginning. This tribute album is half decent and half blamsphery.&amp;#160; Some of the songs really manage to bring out the positive and good parts of &lt;strong&gt;Luna Sea &lt;/strong&gt;songs, while others makes you wanna smack your head upon a wall from the blaspheming abomination made of &lt;strong&gt;Luna Sea&lt;/strong&gt; songs.&lt;/p&gt;&lt;p&gt;Starting off with one of the best covers on this album, &lt;strong&gt;MUCC&lt;/strong&gt; manages to capture the spirit of the great song &lt;strong&gt;Dejavu&lt;/strong&gt;, although it sounds a bit like they have taken the score book and played by it. Surprisingly, &lt;strong&gt;abingdon boys school &lt;/strong&gt;has made for me personally irritating song &lt;strong&gt;Sweetest Coma again&lt;/strong&gt; into an energetic and a bit harder than the original song.&lt;/p&gt;&lt;p&gt;Another one of my favorites on the album are &lt;strong&gt;HIGH and MIGHTY COLOR&lt;/strong&gt; with their interesting interpretation of &lt;strong&gt;Rosier&lt;/strong&gt;. The split vocals do emphasize the refrain and passages. And &lt;strong&gt;SID &lt;/strong&gt;shines on the cool cover of &lt;strong&gt;WISH &lt;/strong&gt;that is as charming and maybe even more than the original.&lt;/p&gt;&lt;p&gt;On the other side the Europop massacre of &lt;strong&gt;STORM&lt;/strong&gt; by&lt;strong&gt; Nami Tamaki&lt;/strong&gt; that is great in instrumental parts, but terrible at the refrain and the electric LSD trip of &lt;strong&gt;LM.Cs&lt;/strong&gt; version of &lt;strong&gt;IN MY DREAM&lt;/strong&gt; count to the songs that makes me wonder just how much Sugizo and co. are regretting the fact to let their songs get so ruined. Also &lt;strong&gt;Merry&lt;/strong&gt; turning &lt;strong&gt;Precious... &lt;/strong&gt;into a violent audioraping may not suit everyones taste, but to me it is one of the best songs on this album and basically one of the best songs &lt;strong&gt;Merry&lt;/strong&gt; ever preformed.&lt;/p&gt;&lt;p&gt;Another minus to the album are the long, repetitive and god forbid boring ballads such as I for you and Love song that last way too long and don&amp;#39;t have any highlights for the listener to catch onto. And the ambiental experiment such as &lt;strong&gt;END OF SORROW&lt;/strong&gt; as well as the nice and calm &lt;strong&gt;SHINE&lt;/strong&gt; (Where the guitarist of &lt;strong&gt;Megadeath Marty Friedman&lt;/strong&gt; performs) represent decent songs, but which you&amp;#39;ll forget right after listening.&lt;/p&gt;&lt;p&gt;The album closes with an epic, velvety version of the legendary song &lt;strong&gt;Moon&lt;/strong&gt;. &lt;strong&gt;Masami Tsuchiyas&lt;/strong&gt; voice is warm, velvety and captures the mysterious and wast atmosphere of this song.&lt;/p&gt;&lt;p&gt;So in general... If you&amp;#39;re a fan of&lt;strong&gt; Luna Sea&lt;/strong&gt; or any other artist listed here on this album, check it out. Others avoid before it screws up your perception of this great band. The bad artist and track choice make this album a two-sided blade that you&amp;#39;ll either adore or hate.&lt;br /&gt; &lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
    &lt;a href=&quot;http://rockerica.vox.com/library/post/album-various-artists---luna-sea-memorial-cover-album-rebirth-.html?_c=feed-rss-full#comments&quot;&gt;Read and post comments&lt;/a&gt;   |   
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        <item>
            <title>Album: Merry - M.E.R.R.Y.</title>
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            <author>nobody@vox.com(あさり)</author>
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            <pubDate>Tue, 04 Dec 2007 17:54:08 +0100</pubDate>         
            
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 &lt;div&gt;&lt;strong&gt;Date released: &lt;/strong&gt;7.11.2007.&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Track list&lt;br /&gt;&lt;/strong&gt;
1. M.E.R.R.Y.MARCH～デンヱンカウキヤウクミキヨク～ (M.E.R.R.Y.MARCH ~Denwenkukiyaukumikuyoku~)&lt;br /&gt;
2. 歌声喫茶『モダン』(Utagoe kissa [Modern])&lt;br /&gt;
3. Blind Romance &lt;a href=&quot;http://rockerica.vox.com/library/video/6a00d41432f284685e00e398c43b0c0002.html&quot;&gt;[PV]&lt;/a&gt;&lt;br /&gt;
4. 青年秘密倶楽部 (Seinen himitsu kurabu)&lt;br /&gt;
5. ルルルラララ (Lulululalala)&lt;br /&gt;
6. 日ノ出町、街角ツンデレラ～2番ホーム篇～ (Hi no demachi, machikado Tsunderera ~2ban home hen~)&lt;br /&gt;
7. 最果てのパレード (Saihate no parade)&lt;a href=&quot;http://rockerica.vox.com/library/video/6a00d41432f284685e00e398c5995e0001.html&quot;&gt; [PV]&lt;/a&gt;&lt;br /&gt;
8. コックドール・ママ (Coq d’Or Mama)&lt;br /&gt;
9. sweet powder &lt;a href=&quot;http://rockerica.vox.com/library/video/6a00d41432f284685e00e398c73dac0005.html&quot;&gt;[PV]&lt;/a&gt;&lt;br /&gt;
10. ひらひらとんでる。(Hirahira tonderu.)&lt;br /&gt;
11. ラストスノー (Last snow)&lt;br /&gt;
12. 木洩れ日が僕を探してる・・・(Komorebi ga boku wo sagahiteru…) &lt;a href=&quot;http://rockerica.vox.com/library/video/6a00d41432f284685e00e398c7438a0005.html&quot;&gt;[PV]&lt;/a&gt;&lt;br /&gt;
13. ポエジー (Poetry)&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Merry &lt;/strong&gt;is one of the bands I &lt;em&gt;can&amp;#39;t&lt;/em&gt; listen anytime, it really depends on my mood. Firstly of all because the tend to sound very loud and harsh. They do have a few songs I personally like a lot, but most of the time they sound just too harsh. But unlike their previous releases I must say that I found &lt;strong&gt;M.E.R.R.Y.&lt;/strong&gt; album quite interesting and entertaining. &lt;br /&gt;&lt;br /&gt;Besides the already released songs such as &lt;strong&gt;Blind Romance&lt;/strong&gt;, harmonica spiced but rather monotone &lt;strong&gt;Hi no demachi...&lt;/strong&gt;, great &lt;strong&gt;Saihate no Parade&lt;/strong&gt; and &lt;strong&gt;Komorebi ga boku wo sagashiteru&lt;/strong&gt;, the new songs on the album really shine.&amp;#160; &lt;br /&gt;&lt;br /&gt;Strating off with a typical &lt;strong&gt;Merry&lt;/strong&gt;-sound but yet a bit different &lt;strong&gt;Utagoe kissa &amp;quot;Modern&amp;quot;&lt;/strong&gt; you will already notice how refreshing the new songs seem to the older ones. &lt;strong&gt;Seinen himitsu kurabu&lt;/strong&gt; is an oriental aggressive mosh-orgy while having a very catchy refrain and the crazy titled &lt;strong&gt;Lulululalala&lt;/strong&gt; is one of the best &lt;strong&gt;Merry&lt;/strong&gt; songs to date! &lt;strong&gt;Coq d’Or Mama&lt;/strong&gt; can be described as an interesting mix of chaos and&lt;strong&gt; sweet powder&lt;/strong&gt; seems as something you might have heard from &lt;strong&gt;Merry&lt;/strong&gt; at first, but blows away with a great transition to refrain.&lt;br /&gt;&lt;br /&gt;Also one of my favorite songs on the album is &lt;strong&gt;Hirahira tonderu&lt;/strong&gt; an energy and emotion charged ballad with a great melody. The last few songs on the album are a bit monotone and less appealing, but still ok.&lt;br /&gt;&lt;br /&gt;So overall I must admit that &lt;strong&gt;M.E.R.R.Y.&lt;/strong&gt; is one of&lt;strong&gt; Merrys&lt;/strong&gt; better albums with a few great highlights. It shows that the band has got enough creative energy to create original songs while remaining loyal to their style. &lt;strong&gt;Merry &lt;/strong&gt;fans should definitely check this album out, while others should give a listen mostly because of the couple of songs that may count to one of the better this year.&lt;br /&gt;&lt;/div&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
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            <category domain="http://rockerica.vox.com/tags/">merry</category> 
            <category domain="http://rockerica.vox.com/tags/">メリー</category> 
            <category domain="http://rockerica.vox.com/tags/">ヴィジュアル系</category>    
        </item> 
 
        <item>
            <title>NHK MUSIC JAPAN ネオ・ビジュアル系 真夏の宴</title>
            <link>http://rockerica.vox.com/library/post/nhk-music-japan-%E3%83%8D%E3%82%AA%E3%83%BB%E3%83%93%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB%E7%B3%BB-%E7%9C%9F%E5%A4%8F%E3%81%AE%E5%AE%B4.html?_c=feed-rss-full</link>   
            <rvw:rating>100</rvw:rating> 
            <author>nobody@vox.com(あさり)</author>
            <comments>http://rockerica.vox.com/library/post/nhk-music-japan-%E3%83%8D%E3%82%AA%E3%83%BB%E3%83%93%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB%E7%B3%BB-%E7%9C%9F%E5%A4%8F%E3%81%AE%E5%AE%B4.html?_c=feed-rss-full</comments>
            <guid isPermaLink="true">http://rockerica.vox.com/library/post/nhk-music-japan-%E3%83%8D%E3%82%AA%E3%83%BB%E3%83%93%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB%E7%B3%BB-%E7%9C%9F%E5%A4%8F%E3%81%AE%E5%AE%B4.html?_c=feed-rss-full</guid> 
            <pubDate>Tue, 04 Sep 2007 19:11:57 +0200</pubDate>         
            
            <description>    
    
    
    

    
    
    
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 &lt;div&gt;On 31.8.2007. the Japanese TV channel NHK organized a unique event under the show &lt;strong&gt;MUSIC JAPAN&lt;/strong&gt; called &lt;strong&gt;ネオ・ビジュアル系 真夏の宴&lt;/strong&gt; (Neo Visual kei Manatsu no utage) or translated &amp;quot;Neo Visual kei midsummer party&amp;quot;. This event featured the performances of the most successful &amp;quot;Neo&amp;quot; Visual kei bands.&lt;strong&gt;&lt;br /&gt;Artist and song list&lt;br /&gt;&lt;/strong&gt;
1. アリス九號. (alice nine.) - WHITE PRAYER&lt;br /&gt;
2. the GazettE - HYENA&lt;br /&gt;
3. シド (SID) - 紫陽花 (Ajisai)&lt;br /&gt;
4. jealkb - 黒い砂漠 (Kuroi sabaku)&lt;br /&gt;
5. ナイトメア (Nightmare) - the WORLD&lt;br /&gt;
6. Plastic Tree - ザザ降り、ザザ鳴り。(Zaza furi, zaza nari.)&lt;br /&gt;
7. ムック (MUCC) - チェインリング (Chain ring)&lt;br /&gt;
8. メリー (Merry) - 木漏れ日が僕を探してる・・・(Komorebi ga boku wo sagashiteru…)&lt;br /&gt;
    
    
    





        






    
    
    





        





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This fascinating show started off with an also fascinating performance by &lt;strong&gt;alice nine.&lt;/strong&gt; I must admite &lt;strong&gt;Shou&lt;/strong&gt;&amp;#39;s vocals have improved a lot and also the playing skills of the rest of the band. &lt;strong&gt;WHITE PRAYER&lt;/strong&gt; has proved to be a great choice for the opening of this event. I also liked that the songs were subtitled so I actually could see the real lyrics.&lt;br /&gt;
    
    
    





        






    
    
    





        





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 Following alice nine. one of the most successful Visual kei band in Japan and wider &lt;strong&gt;the GazettE &lt;/strong&gt;pulled of a pretty good and partially improvised performance of their song &lt;strong&gt;HYENA&lt;/strong&gt;. Although it wasn&amp;#39;t technically as good as other artists (partially because of &lt;strong&gt;Ruki&lt;/strong&gt;&amp;#39;s off tone singing) it was as explosive and stunning as all the performances put together.&lt;br /&gt;
    
    
    





        






    
    
    





        





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Sweet and short can be described the song &lt;strong&gt;Ajisai &lt;/strong&gt;by the Visual kei-band-gone-normal&lt;strong&gt; SID&lt;/strong&gt;. This calm and partially melancholic piece managed to calm the atmosphere down before the appearance of the next band.&lt;br /&gt;
    
    
    





        






    
    
    





        





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I was actually pretty impressed by the performance of&lt;strong&gt; Kuroi sabaku&lt;/strong&gt; by the six comedians decided to make a Visual kei bend named &lt;strong&gt;jealkb&lt;/strong&gt;. They have already impressed me with their comedy skills and now they have done the same with their musical skills. All I can say is great! And I did have a good laugh watching them perform.&lt;br /&gt;
    
    
    





        






    
    
    





        





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 &lt;strong&gt;Nightmare&lt;/strong&gt; was next on with their successful song &lt;strong&gt;the WORLD&lt;/strong&gt; (opening of the anime &lt;strong&gt;DEATH NOTE&lt;/strong&gt;). The singer &lt;strong&gt;Yomi&lt;/strong&gt; proved that he has got a great voice in spite of his 158cm. A little guy with a BIG voice. And also the guitarists &lt;strong&gt;Hitsugi&lt;/strong&gt; and &lt;strong&gt;Sakito&lt;/strong&gt; were very impressive both with their playing skills as well as with image.&lt;br /&gt;
    
    
    





        






    
    
    





        





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 The veterans of Visual kei &lt;strong&gt;Plastic Tree&lt;/strong&gt; rocked with the song &lt;strong&gt;Zaza furi, zaza nari&lt;/strong&gt;, a great non aggressive rock song. The bit silent singer &lt;strong&gt;Ryutaro &lt;/strong&gt;joined in with his guitar proving that simultaneous singing and playing is no problem for him.&lt;br /&gt;
    
    
    





        






    
    
    





        





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The atmosphere reached its peaks once again with the energetic performance of the band&lt;strong&gt; MUCC &lt;/strong&gt;with the song &lt;strong&gt;Chain Ring&lt;/strong&gt;. &lt;strong&gt;Tatsurou, Miya, SATOchi&lt;/strong&gt; and&lt;strong&gt; YUKKE&lt;/strong&gt; brought the crowd into high skies with their hymn like rock song. &lt;strong&gt;Tatsurou&lt;/strong&gt; also showed some great &lt;em&gt;growling&lt;/em&gt; skills.&lt;br /&gt;
    
    
    





        






    
    
    





        





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Closing the event was &lt;strong&gt;Merry &lt;/strong&gt;with their song &lt;strong&gt;Komorebi ga boku wo sagashiteru&lt;/strong&gt;. The singer&lt;strong&gt; Gara&lt;/strong&gt; was simply breathtaking both with singing and with looks. With this energetic song this great event ended.&lt;br /&gt;&lt;br /&gt;All in all I think it was a great event and that everybody who participated and watched was probably in euphoria for days. This event has shown that&lt;strong&gt; Visual kei&lt;/strong&gt; is becoming an important movement in Japanese rock music and that it&amp;#39;s popularity is not only confined to Japan but is spreading around worldwide.&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
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